Rish To The Rosh wrote:The camera work on Astonishing X-Mas was excellent, they handled the very difficult Guerrilla Warfare match really well.
excellent example
Rish To The Rosh wrote:The camera work on Astonishing X-Mas was excellent, they handled the very difficult Guerrilla Warfare match really well.
theleapinglemur wrote:Has the camera got any better since e.g. closer to the ring without the heads?
luca brasi wrote:The good thing is, if the camera work is the worst thing we have to bitch about, then at least they seem to be doing the WRESTLING part pretty right.
Too bad, with PWG always running in Hollywood, some professionals couldn't come in to help clean up and slicken the production.
ozmania wrote:actually to my knowledge, the only time they hired professionals was at the very first ASW with AJ/Joe on it and that by far is the worst camera worked PWG show. In fact, they fired them before night 2. Not everyone can do a good job filming Pro Wrestling.
bford24 wrote:ozmania wrote:actually to my knowledge, the only time they hired professionals was at the very first ASW with AJ/Joe on it and that by far is the worst camera worked PWG show. In fact, they fired them before night 2. Not everyone can do a good job filming Pro Wrestling.
That last part is so true, you can just ask the people who did Ready to Rumble if you want an example of that. It is very true that pro wrestling is a different kind of event to film. PWG is doing a fine enough job with what they have, they use great cameras by the way.
Paul Burns wrote:bford24 wrote:ozmania wrote:actually to my knowledge, the only time they hired professionals was at the very first ASW with AJ/Joe on it and that by far is the worst camera worked PWG show. In fact, they fired them before night 2. Not everyone can do a good job filming Pro Wrestling.
That last part is so true, you can just ask the people who did Ready to Rumble if you want an example of that. It is very true that pro wrestling is a different kind of event to film. PWG is doing a fine enough job with what they have, they use great cameras by the way.
Ahh thats cool to find out. ASW night 1 was freaken HORRENDOUS when I was watching it in terms of filming, it pissed me off alot. I was watching 2YA the other day aswell as After School Special and the camera work there is good, I wasn't distracted by the poor filming and shit and it was good. So PWG must have upped their game after the ASW fizzler. Yay!
SoCalAndy wrote:*Sigh*, the camera work is just fine the way it is. The hardcam level is the same level as the ring apron and are setup on tables, and it does a fine job at getting the action it needs. The floor cam is also steady on the action and has been top notch for the longest time now. It's a lot better than SMV's in my mind, and worlds better than ROH.Too bad, with PWG always running in Hollywood, some professionals couldn't come in to help clean up and slicken the production.
For an indy wrestling promotion(which is something you people seem to be forgetting), PWG's production is great. No need to get any Hollywood shit right now as PWG isn't producing Hollywood type productions.
luca brasi wrote:SoCalAndy wrote:*Sigh*, the camera work is just fine the way it is. The hardcam level is the same level as the ring apron and are setup on tables, and it does a fine job at getting the action it needs. The floor cam is also steady on the action and has been top notch for the longest time now. It's a lot better than SMV's in my mind, and worlds better than ROH.Too bad, with PWG always running in Hollywood, some professionals couldn't come in to help clean up and slicken the production.
For an indy wrestling promotion(which is something you people seem to be forgetting), PWG's production is great. No need to get any Hollywood shit right now as PWG isn't producing Hollywood type productions.
Andy feel free to accept the fact that PWG isn't perfect.
There is DEFINITELY room for improvement. Saying their stuff is better than ROH etc. doesn't mean it's "fine the way it is." Indy or not, their production is not great. Good, but not great. I still say raising the hardcam higher would make it look much more pro. Look at the PWG Franks and Son shows last year with the higher hard cam. Looks awesome, much better than the JCC shows.
Ryan! wrote:luca brasi wrote:SoCalAndy wrote:*Sigh*, the camera work is just fine the way it is. The hardcam level is the same level as the ring apron and are setup on tables, and it does a fine job at getting the action it needs. The floor cam is also steady on the action and has been top notch for the longest time now. It's a lot better than SMV's in my mind, and worlds better than ROH.Too bad, with PWG always running in Hollywood, some professionals couldn't come in to help clean up and slicken the production.
For an indy wrestling promotion(which is something you people seem to be forgetting), PWG's production is great. No need to get any Hollywood shit right now as PWG isn't producing Hollywood type productions.
Andy feel free to accept the fact that PWG isn't perfect.
There is DEFINITELY room for improvement. Saying their stuff is better than ROH etc. doesn't mean it's "fine the way it is." Indy or not, their production is not great. Good, but not great. I still say raising the hardcam higher would make it look much more pro. Look at the PWG Franks and Son shows last year with the higher hard cam. Looks awesome, much better than the JCC shows.
Yea PWG should just have George Lucas and Lucasfilm to film their shows. Then their production levels would be great :roll:
SoCalAndy wrote:Nah, PWG should just get Pixar to produce their shows and to animate PWG shows.
Ryan! wrote:What about using Troublemaker? I would love to see PWG shows in black and white with only Joey Ryan's mustache being in color. PWG MAKE IT HAPPEN!
SoCalAndy wrote:No way, they should get the people who made The Matrix to do PWG shows. Imagine DVDs pausing when Dragon goes for a Psycho Driver and the camera doing a 360 while Dragon is doing the move.
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